TuneCore Leap Day Releases

Only once every four years do we get to experience a leap year. In honor of this rare occasion, we wanted to feature TuneCore Artists who chose February 29th as their release date. We think that’s pretty awesome.

Abser – Me And Me

Benjamin J. EversonAcapella Anthems

Big Urban – It’s Not So Much The Heat . . . It’s The Humidity

Bigrough – Hang On Tight!

BoomTracks – Another World

Coral Caves – Sometimes Shine

Coronado – Awake In Silence

DJ Vakis – Dreams

Darryl Thorne – Train Station Blues

Earthquake Lights – Bangups & Hangups

Grenade Jumper – Beat Beat Beat

Hanzo Reiza & pro.Dj Bandeira – Dirty Baron

iamamiwhoami – Drops

Jack Alden – Long Road Home

Jason Tyler Burton – The Mend

Jeremiah The Prophet – Urban Hymnes

Jordan Corey – Do Me Wrong

Jordan Owens – Fading Away

Justin Kintzel – Death Is Overcome

Justin Young – Clean Slate

Kayla Moreno – First (acoustic)

Kevin Riepl – Henri 2.0 (Original Soundtrack)

Khamsina – The Conductor

Lord Zealous – Dream Sleep

Lukas Persson – Bologna Money

Matt Beilis – Parade

Mister Chase – Don’t Let Me Down

Napalmdrama – Oxigeno

Neon Legion – Eyes

Pixelpussy – Das Mewntz

Realistic – Drowned In Meaning

Sonny Pate – All I Know

Stormchasers – The Storm

Suezo, Miku Hatsune – Heptagonal Snow Crystals (feat. Miku Hatsune)

Tob Studio – Looking For Other Worlds Remix

Tramendas-TooStrong – My Heart’s A Monster

Unykue The Kid A.K.A Christopher Smith – Lifeguard (Prod By Kid Brotha) (feat. Justin)

Various Artists – Hivern Jacking Tapes Vol. 1

Warhol’s Theory – The Infernal Flying Machine

Your Favorite Martian – White Boy Wasted

Zain – Arms Around Me (feat. Kraft)

TuneCore Celebrates Black History Month

We asked a few TuneCore Artists to offer their thoughts on musicians that they thought should be remembered during Black History Month…

“I feel the music of Curtis Mayfield should never be forgotten. He created ‘future music’ with his voice and with his musical touch. One of the greatest vocalists and guitarists ever. Hence his work as a total artist remains immeasurable in this new century, a century which emerged very soon after his passing in December 1999.”

– Chuck D (Public Enemy) – TuneCore Artist

Curtis Mayfield – Future Shock

“I salute and remember the genius of Shirley Horn. A trailblazing contralto who has been described as having two heads because of her ability to sing while accompanying herself. Miles Davis discovered this musical gem. When I was seventeen, my brother bought me her “Here’s to Life” CD and it changed my LIFE. Her voice, her compositions and her touch on the piano make her one of the most amazing musicians that has ever lived.  I honor her every time I play.”

– Avery*Sunshine  – TuneCore Artist

Shirley Horn – Fever

“In March of 2011, the world lost a pioneer in blues piano – Pinetop Perkins. One of the last Mississippi Delta Blues musicians, Pinetop found his way into my life and music by inspiring me as a young blues pianist. He made me realize that it’s the real stories that are worth listening to…that are worth living for. R.I.P. Pinetop.”

– J.  Dash (TuneCore Artist)

PineTop Perkins – Grinder Man Blues

“Artists are not angels and shouldn’t be expected to be free of faults, so it’s not that I ignore James Brown’s problems, but the radiance of his soul-stirring screams, dynamic arrangements/stone grooves, leadership in the soul revolution, and all the other impossibly funky aspects of his career make him forever Soul Brother Number 1.”

– Chris Mooney – TuneCore Promotions

James Brown – Funky Good Time

Video Fridays – TuneCore Music Video Edition

This week for Video Friday we’re spotlighting music videos in iTunes, delivered by TuneCore.

Swag It Out – Zendaya (feat. Bobby Brackins)

Sunlight – Elint

Oh No – Robert Lauri (feat. Lyrics Mitch Hiller)

Bewitched – Blood On the Dance Floor & Lady Nogrady

Ven Conmigo – Daddy Yankee (feat. Prince Royce)

Gymnopedie No. 1, N.1, Nr. 1 (1st Gymnopedie) – Eric Satie & Falk Richter

Moonlight Sonata (1. mov. ) , Mondschein Sonate ( 1. Satz) – Ludwig Van Beethoven & Michael Schneider

Barton Hollow – The Civil Wars

Don’t Waste  Your Life – Lecrae

Shoes – Kelly

If you’re interested in distributing your own music video to iTunes through TuneCore, click here for more info.

TuneCore Album Gallery – 2

Looking at hundreds of releases every week, we are always impressed with the diverse, original, timeless, and wild album art flowing in from TuneCore Artists. Sometimes it’s the story the image tells; other times it’s the font and layout that stand out. We’ve rounded up ten releases that caught our eye. Long live album art.

Everyman – Lettie

For Your Health – Dodging Daylight

Happy As Can Be – 11 Acorn Lane

Persecution – Temporal

Ballad Nerd Pop – PaperDoll

Great Barrier Grief – Oh Mercy

A Show Of Hands 15 – Victor Wooten

Beneath The Noise – Jasmine Ash

Last Looks – The Sour Notes

Wake Up Love – Melanie Penn

TuneCore Feature: Video Fridays

Fridays, from now on, will be all about music videos.  We’re kicking off our new feature, Video Fridays, with 10 awesome videos from TuneCore Artists.  If you’re interested in having your music video considered for a future Video Fridays feature, tweet @TuneCore with a link to your video, using the hashtag #TCvideofridays.

April Smith and the Great Picture Show – “Terrible Things”

JJ Heller – “What Love Really Means”

Epic Rap Battles of History : “Dr Seuss VS Shakespeare”

Lecrae (feat. Cam) – “Don’t Waste Your Life”

Green River Ordinance – “Heart of Me”

Belle Histoire – “Be Alright”

HeyHiHello – “Right Here”

J. Dash – “WOP”

K. Flay – “We Hate Everyone”

Red Lamb – “The Cage”

What The RIAA Won’t Tell You – TuneCore’s Response to the NY Times Op-Ed by RIAA CEO Cary H. Sherman

By Jeff Price

It’s difficult for me to write a response to the CEO of the RIAA (Recording Industry Association of America) Mr. Sherman’s NY Times Op-Ed piece “What Wikipedia Won’t Tell You” that is not emotional. What should be a black and white conversation about respecting copyright is mired in the fact that the RIAA’s credibility has eroded as quickly as its control of the music industry.

Or said another way, the RIAA has become part of the problem of protecting copyright due to its occasional less than honest approach to things.  You just can’t take what the RIAA says at face value as their agenda is not clear—is it to protect copyright or is it to protect the interests of its label members at any cost?

After all, this is the same organization that had the RIAA employee Mitch Glazer attempt to sneak language into a bill on Capitol Hill changing the definition of “work for hire,” depriving artists of their rights (there’s a great article about this in the Austin Chronicle).

Now add to this that as the RIAA demands that its label members’ copyrights be respected and properly compensated, its members have knowingly taken hundreds of millions of dollars of other peoples’ songwriter royalties over the past few years.  Knowingly taking money generated from the copyrights of others—aka “Black Box Money”—sounds eerily like stealing.

The RIAA used to be the singular voice of the music industry but no longer.  The majority of music being distributed, bought, sold, shared and streamed is coming from outside the traditional industry.  Case in point, TuneCore distributes more music into digital music stores in one month than all the major labels do combined in 100 years. TuneCore artists have sold over 500,000,000 units of music in the last few years and generated over a quarter billion dollars.  Now add in other music services like TuneCore from around the globe and the numbers get even higher.  Over 70% of all new music being bought is from artists not tied into the old industry.

The RIAA and its members are the voice of what the industry was, and an ever-shrinking part of what is.  Stop fighting it and find a way to work with it before you are the odd man out.

As the Deputy Director of Future Of Music Coalition Casey Rae Hunter said more eloquently than I ever could:

“Artists have every right to be wary when powerful entertainment conglomerates push for policies that could undermine free expression, all the while claiming to speak for creators.”

There is no argument that the person or entity that control the copyright (be it an artist or a label), and only the person or entity that controls it, should have the right to do with it what they want.

However, if the original SOPA and PIPA bills were passed years ago, TuneCore most likely would not have existed, and power would still be concentrated with the old regime; they would have found a way to slow the market shift away from them. In the guise of “protecting copyright” the original SOPA bill would have provided the RIAA unilateral and almost unchecked power to kill the new emerging industry.

All the RIAA would have had to do is claim that music distributed by TuneCore was infringing on its label members’ copyrights. With limited to no due process, TuneCore could have been shut down just like Dajaz1.

And I can assure you, from time to time TuneCore gets illegitimate and wrongful claims of infringement by the RIAA (and some of its label members).

(On a side note, we have also had run-ins with the RIAA in regards to matters unrelated to copyright.  These have been less than pleasant as they used a variety of techniques to try to get TuneCore to do some things they wanted).

I would love for there to be a “voice” that we could all get behind to protect and represent all those who control copyright.  Unfortunately, the institution that could have played this role is the one that destroyed its own credibility with rather questionable moral moves (side note, if you have to resort to slight of hand and half truths to maintain power, its too late).

So could you please at least own up to your agenda—maintaining the pre-existing power structure.  Although we may disagree, we can at least have an honest conversation.

And with that said, I will now wait for the phone call from the RIAA threatening to sue TuneCore for posting this blog article.


Related to this article: The 4-Letter Acronym That Could Kill The New Music Industry