iHeartRadio Expands Services For Users

Hot on the heels of announcing 100 million registered users, iHeartRadio recently released their newest services, iHeartRadio Plus and iHeartRadio All Access (powered by Napster) and we’re excited to announce that these services are now available for TuneCore Artists to distribute their music to!

iHeartRadio already offers listeners access to over 750 live streams of radio stations across the U.S., as well as the ability to build a playlist or ‘user-generated’ radio station based on an artist of their choosing. Here’s a look at how the new services stand to impact users and artists:

  • With iHeartRadio Plus, users will have access to offline listening, unlimited skips and replays, and customized radio stations for $4.99/month;
  • With iHeartRadio All Access, users get a traditional on-demand streaming platform complete with a catalog millions of songs (via Napster) for $9.99/month.
  • For TuneCore Artists, both of these new services open up the opportunity for discovery and democratic listening among iHeartRadio subscribers!

What does that mean for TuneCore Artists who have already distributed to iHeartRadio and Napster?

Since your music is already on iHeartRadio and Napster (fka Rhapsody), you’re good! You do not need to take any action to make your current active releases available on iHeartRadio Plus or iHeartRadio All Access. Any fans who search for your release(s) on iHeartRadio should be able to find them on both of these services.

For information about getting your music on iHeartRadio, learn more here.

To add your current active releases to iHeartRadio and/or Napster, head over to your Store Manager.

TuneCore Artists know they can always look to us to offer them a plethora of stores and streaming services to send their new releases to. We know that independent music is something that fans seek globally, and we strive to make sure that artists can take advantage of all available outlets in order to build their fan base.

This is a big step for iHeartRadio and their listeners, and we’re excited about what this means for our artists moving forward.

The Music Industry Belongs to the Hypercreators

[Editors Note: This blog was written by Ryan Kairalla, an entertainment lawyer based in Miami, FL. He recently published Break the Business: Declaring Your Independence and Achieving True Success in the Music Industry and also hosts the Break The Business Podcast.]

 

“You can’t use up creativity, the more you use the more you have.”
– Maya Angelou

A few weeks ago, I was giving a talk at the NAMM Conference in Anaheim, California. After it was over, a musician approached me and asked me what was the most important thing he should be doing to be more successful in his music career.

I succinctly responded: “Make music. Make lots of music. All the time.”

I could tell that this young creative was more than a little unsatisfied with my answer. Perhaps he thought I would give a lengthy discussion on the value of effective social media. Or maybe he was expecting that, as an attorney, I would talk to him about the importance of having good legal structures in place.

Granted, those things are important. But if you’re going to be in the business of making music, there is nothing more important than making as much music as you can. Today’s musicians need to be “hyper creators.”

Let’s lay down some essential truths about the current state of the industry:

  1. It has never been easier or cheaper to create quality music thanks to advancements in low-cost home recording hardware and software.
  2. It has never been easier or cheaper to distribute your music thanks to the digitalization of music and the emergence of low-cost distribution platforms.
  3. It has never been easier or cheaper to promote your music with the advent of social media.
  4. It has never been easier or cheaper to fund your music projects with the rise of online crowdfunding platforms.

Modern technology has removed nearly all of the barriers preventing artists from creating music constantly and sharing that music with a worldwide audience. Being able to make more music means that artists can have more opportunities to connect with their fans. It also means that artists can have a larger catalog of material to sell or license.

The musicians that will succeed in this world will be the ones who are best able to take advantage of these developments. This means creating lots of music—far more than the musicians of previous generations did.

The prevailing music creation model of recording and releasing an album’s worth of songs every two or three years is making less and less sense in the New Music Industry. It is a product of a bygone era where the creation, distribution, and promotion of music was an expensive endeavor, and thus bunching together the release of a small number of tracks was the way things had to be done.

Today, it is a better strategy to (1) make more music and (2) spread out the releases of your music throughout the year so that your fans never have a chance to forget about you. You can still make and release traditional albums if you so choose, but don’t do it at the expense of depriving your fans of a steady stream of new material.

Many musicians have effectively embraced the hypercreation model. Ireland-based indie acoustic artist J.P. Kallio has garnered some impressive success by releasing new original songs every week. Colorado-based Danielle Ate The Sandwich gained considerable fanfare for writing, recording, and producing an album’s worth of songs in just 24 hours (and she’s done this twice).

And then there’s New Jersey’s own Jonathan Mann. Mann has written and recorded a new original song every day for the past eight years—and counting. Mann and his catalog of nearly 3,000 songs have been featured on ABC, CBS, CNN, MSNBC, and HuffPost Live.

If hypercreation seems too daunting to you, remember this: Creativity is a muscle. The more you create, the more prolific you will become. Conversely, the less you create, the more that muscle atrophies. Make creation a constant in your music career, as each song you produce gives you one more opportunity for success.

A final word of warning:

As you embrace hypercreation in your own career, you should be wary of business relationships that are not conducive to you being prolific with your art. You cannot hypercreate unless you have complete authority over when, how, and with whom you make music. As a result, you should look upon exclusive recording agreements with great skepticism.

These contracts essentially give someone else (such as a record label or producer) full control over your recording projects. Under such a deal, you would not be able to make music without that someone’s permission, and they almost assuredly will not approve of you creating new music on a weekly basis. Rather, they will favor the old release model: Make an album, wait 2-3 years, and make another album (assuming that the label/producer still wants to record with you).

In the New Music Industry – one in which the creation, distribution, and promotion of music is so conducive to hypercreation — artists should give some serious thought to the significant value in being able to create on their own terms.

TuneCore’s New Refer a Friend Program Helps Artists Earn and Save

Anyone creating music in 2017 knows that collaboration is a beautiful thing. Whether it’s a featured hip hop verse, a bluegrass rhythm section, or two songwriters coming together in the studio, musicians working toward a common artistic goal can have incredible results. Heck, we’ve even talked about apps that allow artists to collaborate with greater ease than ever.

In the spirit of indie artists doing right by their fellow indie artists, TuneCore is proud to roll out an all new “Refer A Friend” program! This opportunity gives you a chance to hook up some of your fellow artists who – unlike you – don’t know how to get their music sold online yet.

As long as you are a TuneCore Artist with an active distribution, each friend who you refer gets 20% off of their first release, and you get to release your next single on us!

All you need to do to get started is head over to our Refer A Friend page and choose how you want to invite friends to take advantage of this opportunity. You can email them directly using our portal, or open it up to your friends and family on social media by choosing to post right to Facebook or Twitter.

However you choose to share, you’ll be given a unique URL for your friends to click. It’ll take them to TuneCore to learn more, and if they choose to sign up and distribute, an automatic 20% off will be added to their release. Once they release their music using your link, you’ll receive an email with a free Single Distribution code! Simple as that.

tunecore-refer-a-friend

TuneCore is already proud to benefit from a solid reputation in the independent music community, and we owe a continuous ‘thanks’ to the artists who have helped us grow via word-of-mouth. Now moving forward, we’re happy to be able to give back to you

Start referring your indie artist friends today.

TuneCore Closes Out Strong Year of International Growth With Launch of TuneCore Italy

Streaming Is On The Rise Across All International Markets

BROOKLYN, NEW YORK – December 13, 2016 – TuneCore, the leading digital music distribution and publishing administration service provider, caps off a strong year of sustained and international growth with the announcement today of TuneCore Italy – the service provider’s fourth launch in the European market and sixth international expansion. Since the company’s inception in 2006, TuneCore artists worldwide have earned more than $783 million collectively from over 43.8 billion downloads and streams. As the only major global distribution service with a dedicated Italian offering, Tunecore.it features local content in the native language that caters to the Italian independent artist community.

As part of its continued commitment to support independent artists around the world, in 2016 TuneCore launched three international sites including TuneCore Germany (April 2016), TuneCore France (October 2016) and now, TuneCore Italy (December 2016).

TuneCore’s global expansion efforts have led to an overall increase in its year-to-date international customer base. Further, TuneCore’s local offerings in international markets have seen significant increases in customer growth, specifically in the France and Germany markets. TuneCore also identified Hip Hop and R&B/Soul as two of the fastest growing genres in each of its key international markets (U.S., Canada, UK, Australia, Germany and France). Additionally, TuneCore has seen the growing popularity of streaming reflected across its international markets, with a 340 percent year-over-year increase in streaming in Canada, as well as year-over-year increases in Australia (92 percent), Germany (71 percent) and the UK (67 percent). Streaming also continues to grow in the U.S., with a 65 percent year-over-year increase.

“As we head into 2017, global expansion is pivotal in furthering our mission to bring more music to more people worldwide, while continuing to establish TuneCore as a leader in the international digital music distribution market,” says Scott Ackerman, CEO at TuneCore. “Our global expansion into Italy – a market that previously lacked a dedicated local offering from a global distributor – is a natural fit as we continue to support our artists by giving them the local resources and tools they need to be successful.”

In addition to keeping 100 percent of their revenues, and retaining complete creative control and ownership of their music, Italian customers will have access to TuneCore’s robust portfolio of artist services, as well as local Italian partners such as Music Raiser and MusicOFF, and world-class customer service. TuneCore Italy artists can also opt to include their music in storefronts controlled by TuneCore’s extensive network of more than 150 digital partners across the globe, including iTunes, Spotify, Apple Music, Google Play and Amazon Music. In addition, TuneCore Italy customers will be able to take advantage of the company’s strategic partnership with Believe Digital. With an already existing office in Italy with more than 30 employees, Believe Digital will offer TuneCore Italy customers access to a variety of advanced artist services, such as international campaign management, trade and online digital marketing, video management and distribution, physical distribution and more.

With its expansion into Italy, TuneCore now offers local musicians in seven countries outside of the U.S. – UK, Australia, Canada, Japan, Germany, France, and Italy – the opportunity to collect revenue from streaming services, digital download stores, songwriter royalties, and sync licensing opportunities, all in their local currency.

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About TuneCore

TuneCore brings more music to more people, while helping musicians and songwriters increase money-earning opportunities and take charge of their own careers. The company has one of the highest artist revenue-generating music catalogs in the world, earning TuneCore Artists $783 million from over 43.8 billion downloads and streams since inception. TuneCore Music Distribution services help artists, labels and managers sell their music through iTunes, Apple Music, Spotify, Amazon Music, Google Play and other major download and streaming sites while retaining 100 percent of their sales revenue and rights for a low annual flat fee.

TuneCore Music Publishing Administration assists songwriters by administering their compositions through licensing, registration, world-wide royalty collections, and placement opportunities in film, TV, commercials, video games and more. The TuneCore Artist Services portal offers a suite of tools and services that enable artists to promote their craft, connect with fans, and get their music heard. TuneCore, part of Believe Digital Services, operates as an independent company and is headquartered in Brooklyn, NY with offices in Burbank, CA, Nashville, TN and Austin, TX, and global expansions in the UK, Australia, Japan, Canada, Germany and France. For additional information about TuneCore, please visit www.tunecore.com or https://youtu.be/TSjGACrJyiY.

July News From Our Store Partners

By Stefanie Flamm

Our stores are gearing up for the second half of the year with some exciting new developments:

  • Spotify attempts to rival Apple Music’s Beats 1 Radio by launching two new radio shows on their service.
  • TIDAL caters to both artists and listeners alike at the twelfth annual Brooklyn Hip Hop Festival in DUMBO.
  • After a two year wait, Deezer has finally been made widely available for listeners in the United States.

Spotify launches two new radio stations to compete with Apple Music’s Beats 1 Radio.

Spotify is giving Apple Music a run for their money by launching two new exclusive radio stations. Similar to Apple Music’s Beats 1 Radio, Secret Genius and AM/PM are artist-focused and feature new music, artist interviews, and more.

spotify-logoAM/PM focuses on the music that guest artists like to listen to, both in the morning and at night. In addition to the interviews, each episode comes packed with an AM and PM playlist curated by the guest. Guests artists thus far include Tinie Tempah, Wolf Alice, Lianne La Havas, and more.

“There’s an experimental edge to what we’re doing: let’s try this out and give it a go,” said Spotify’s Rob Fitzpatrick. “…AM/PM is an artist-friendly way of doing that without it becoming a thing that turns into a slog for them.”

Secret Genius concentrates on songwriters, interviewing different artists every week to discuss the songwriting and collaborative process. Guests have included breakout star James Blake, as well as more behind-the-scenes songwriters Nick Van Eede, Ed Drewett and Nicky Chinn.

The radio stations are available to all Spotify users, including those with free accounts.

Brooklyn Bridge Park provides a backdrop for TIDAL’s latest exclusive concerts at the 12th Annual Brooklyn Hip Hop Festival.

Brooklyn Bridge Park was pulsing with the sound of hip hop earliertidal logo this month. The TIDAL-sponsored 12th Annual Brooklyn Hip Hop Festival was a major attraction for hip hop lovers from New York and the Tri-State Area, featuring headliners like Nas and TuneCore artist Talib Kweli.

The 4-day event was held in DUMBO (Down Under the Manhattan Bridge Overpass), a small neighborhood tucked in between the Manhattan and Brooklyn Bridges that is home to both the festival and TuneCore’s Brooklyn office. Each day was unique, offering a different flavor of hip hop entertainment for every day of the festival.

Wednesday, July 13th kicked things off with the “Hip Hop Institute,” a series of lectures and workshops with artists and executives of the hip hop world. The lectures covered everything from making it as a musician to what it means to be a woman in hip hop. In the aftermath of several police shootings this month, keynote speaker DeRay McKesson inspired listeners with words about Black Lives Matter.  

Day two focused on hip hop and film with the Dummy Clap Film Festival. Screenings included 86-32, the 1983 documentary Style Wars, and the 25th Anniversary Screening of New Jack City. Day three took a page from Jay Z’s “Picasso Baby” video, combining visual art with music from DJ Midnite, TuneCore artist Taylor Bennett, and more. Finally, the weekend was capped off by a blowout finale concert on the waterfront, including Fabolous and Rapsody, in addition to headliners Nas and Talib Kweli.

TIDAL helped bring the Brooklyn festival to hip hop lovers everywhere, offering a live stream of the concerts throughout the weekend that can now be viewed at any time on TIDAL.

Deezer is ready to tackle the US streaming market with the long-awaited launch of their service in the United States.

Spotify, TIDAL, Apple Music, etc. have another streaming service to compete with, starting this month. The French streaming service Deezer has been working to launch a US version of their site for the past two years, offering limited beta memberships through partners like Bose and Cricket Wireless during that time. However, the wait is now over for the rest of us, and Deezer is fully live for streaming in the US.

“We are thrilled to make Deezer available to all music fans in the U.S., at a time when the company is growing stronger and developing new technologies that enable us to deliver a much more personalized experience. We’ve already received an overwhelmingly positive response since offering Deezer via our partners Sonos, Bose and Cricket, and now look forward to making our service available to everyone,” Deezer Global CEO Dr. Hans-Holger Albrecht said in their launch statement.

Deezer-logoDeezer’s US service is Premium-tier only, meaning there is no option for listeners to stream music free in exchange for ads. Instead, Deezer is offering a 30-day free trial for all new customers, who will then be required to pay $9.99 per month to continue with the service.

With 16 million monthly users across 180 countries, Deezer is one of the most widely-available music stores around. The service is already a household name in Europe, but it faces some tough competition this side of the Atlantic including goliaths like Apple Music, TIDAL, and Spotify. The newly-updated “flow” discovery feature, along with their quirky and hilarious advertising campaign, should be a big selling point for US listeners.

SOUND BYTES

How To Get Your Audio Files Ready for Distribution

By Jacqueline Rosokoff

Not too long ago we were on a formatting kick.  We went over how to correctly enter your release information, and then we covered artwork, so now we’re talking audio, arguably your most important distribution asset.

Stay with us as we tackle everything audio. Continue reading “How To Get Your Audio Files Ready for Distribution”