New Music Friday: June 23, 2017

TuneCore Artists are releasing tons of new music every day. Each week we check out the new TuneCore releases and choose a few at random to feature on the blog.

Is your hit next?

Follow Music Made Me – a Spotify playlist that’s updated every Friday with new releases from TuneCore Artists – stream it below!


Identity
Naughty Professor

Jazz, Alternative


Sorry (High & Dry)
Boy Band

Pop, Folk


Daydream
Jo&Me

Pop, Alternative


Righteous / Ratchet
Humble the Poet

Hip Hop/Rap, R&B/Soul


Electric Feel
CLAVVS

Alternative, Pop


Clarity
Tanner Patrick

Pop


Stuck Like You (Electric Bodega Remix)
Kritikal

Hip Hop/Rap, Pop


Nothing Scares Us (feat. Daniella Mason)

Super Duper
Alternative, Pop


Mixed Up
Ships Have Sailed

Alternative, Electronic


War Of Hearts (Acoustic)
RUELLE

Singer/Songwriter, Alternative


Any Minute Now
C. Shirock

Alternative, Singer/Songwriter


Acoustic
Decyfer Down

Christian/Gospel, Rock


I Love Myself (feat. B. Slade)

Chaka Khan

R&B/Soul, Dance


Don’t Be Mad At Me
KoBoogie

Hip Hop/Rap


Remixes
Freedom Fry

Electronic, Pop


Yours

Leven Kali
R&B/Soul


Girls On Their Phones
DALES

Pop, Rock


Perfect People
courtship

Alternative, Pop

Wednesday Video Diversion: June 21, 2017

Happy First Official Day of Summer! And happy 69th birthday to the legendary, all-important, more-relevant-than-ever (sorta) 33 and 1/3 RPM record! It was this day back in 1948 that sucker was manufactured and began to revolutionize how folks consumed their favorite music. Now settle into that summer feeling with some visual distractions: music videos from our endless catalog of awesome TuneCore Artists!

Great White, “Big Time”


Torion, “Dinero (feat. Dae Dae)”


The Rival, “When I’m With You (Walking On Air)”


Ruelle, “I Get To Love You”


Shirock, “Still Young”


Nytrix, “Live From Avalon Hollywood (w/ Neon Hitch)”


MX, “uMqondo (feat. Breeze)”


Simon Jano, “El Mundo Esta al Reves”


Whissell, “Get Free”


Sirusho, “PreGomesh”

Why So Many Musicians Will Never Be Successful

[Editors Note: This was written by Anthony Cerullo and it originally appeared on the Sonicbids Blog.]

Even without seeing his full face, it’s a fair assumption that the man pictured above is none other than Bono from U2. Say what you will about the man, but it’s hard to deny his success. The quest to finding success like Bono’s – or any other famous musician, for that matter – is a difficult one. The reasoning behind this is because the definition of success is different for many people.

Some believe that all it takes is maintaining a standard of excellence. As long as they conquer the technical aspects of their instrument and become fluent in the language of music, then success will grow naturally. Not to put down those aspects, but there’s more to it than that.

Today’s age of music is increasingly competitive. Techincal musicianship is common practice and no longer a mind-blowing concept. Of course, there are still musicians out there who are better than others, but in terms of the audience, people won’t pay that much more to see someone like Herbie Hancock play piano compared to Taylor Swift. In fact, Taylor Swift probably charges more and isn’t nearly as musically talented as Herbie Hancock, yet some would argue she has a more successful career.

Audiences and musicians alike understand that technical excellence is a necessity if one wants to make it in music. That being said, it’s hardly all you need for success.

The keys to a successful personality

First of all, great job at mastering your instrument. You’ve practiced until your fingers bled and fought through the periods of low motivation until, finally, you’ve broken through. Friends, family, and teachers alike all praise your ability on your instrument… so why are you not playing Madison Square Garden on New Year’s Eve? Well, as we already know at this point, it takes more than skill to breed success.

If you want to change the world of music, that’s not going to be done just by being the best – people also need to recognize your creativity and individuality. By approaching your music in a unique and thoughtful way, you don’t even have to be an amazing player. You can see examples like this all over the music industry. Take the Beatles, for instance. None of them were virtuosos at their individual instruments, but they did something that no one else did, and they will be remembered forever for it.

Besides originality, a few key personality traits are needed as well. It’s easy to get lost in the monotony of life, but if your career isn’t going where you want it to, think about something: Are you playing it too safe? Are you sitting at home practicing your instrument and looking at all the massive tour schedules of other bands?

Some people who play it safe think that in order to make it big, you need to be skilled, rich, or lucky. A little bit of that will help, but more than anything, you need to be bold, dedicated, and devoted to taking risks. The big gig isn’t going to fall in your lap – you have to get out of the house and go for it.

You know that feeling that you might lose everything when taking a risk? It’s not a bad one. A scary feeling, yes, but bad, no. In the end, it will be persistence that brings you to the top, not luck or money.

Once you finally have the courage to risk it all and leave your comfort zone, you need to figure out how to maximize your time.

Don’t settle for mediocrity

Once you join the rat race to success, it’s crucial to differentiate yourself from the pack. There will be plenty of musicians of equal talent and dedication to compete with. To stand out, many believe they should practice longer or more efficiently. This will help, but you only have so much time and energy. By not managing your time effectively, you’ll burn yourself out.

Once that happens, you’ll seek any victory you can get to revive confidence. This is why so many people aim for mediocrity. It’s easy to obtain, safe, realistic, and doesn’t consume much energy. Some people are content with mediocrity as it satisfies them just enough.

However, the field of mediocrity is crowded. Mediocrity is like a lake full of trout fishermen. Sure, trout is alright, but there’s a lot of other guys here fishing for it. Meanwhile, in the ocean, a few daring seafarers hunt after Moby Dick himself. Moby Dick is certainly a much harder catch, but there is also less competition for this very reason.

The big goals are the ones to go after. Assuming you’ve already mastered your instrument, your energy will be best spent putting maximum effort into what you believe. You want the Moby Dick of ideas – the one that seems almost unobtainable, yet you couldn’t imagine failing to capture it.

This dream has to be deeply personal. If it’s not, you won’t be willing to do whatever it takes to make it come true. Before attempting anything, that desire has to be into place. Otherwise, you’ll be wasting time and energy. In other words, don’t exhaust yourself fishing for trout.

Put it into action

This will sound cliche, but it’s time to be honest with yourself. We all have dreams, but what stops us from doing them? If you took a piece of paper and wrote down the top five things to do before you die, would you start doing them right that second? Probably not, but that’s the issue with many who fail.

Too many musicians crave success but, whether they know it or not, shy away from it. It can be something small like not telling your friends about a gig because you’re afraid of what they’ll think. Maybe you’re sitting around putting off album production for another day. Have you written out the song you’ve been humming in your head for the past week? Why not?

It’s common sense, but nothing will get done unless you put it into action. Start small and write a list of things you need to advance your music career. Then just start doing them. Put more energy into the bigger goals on the list, but don’t skip over the smaller, necessary ones. If you’re really that dedicated to becoming a successful musician, then you’ll be rewarded greatly for your dedication to action.

How Musicians Can Take Advantage of Key Digital Trends Towards 2020

[Editors Note: This blog article was written by Michelle Aguilar.]

 

It is probably no surprise that businesses are being transformed by digital platforms such as Facebook. The platform has recently released a report that looks at the different ways in which businesses are being reshaped. Out of the many insights from the report, there are three findings that can be of great use, especially if you are an independent musician.

Consumer Expectations are Increasing

Facebook notes that people are expecting higher quality in mobile experiences and customer service. Reflective of their data, Facebook conversation around ‘user experience’ has been observed to grow considerably. Because of this increase, people are more accepting of surging prices. There is a willingness to pay for more convenience. This highlights the need for business to gain better understanding of the modern customer experience.

As a musician, this data can be applied to the digitalized aspects of your endeavors. Your website, press kit, and social media are all channels you can clean up and modify to make information accessible, easy to navigate, and responsive. You can also compare this to your experience as a user when attempting to connect to a business; you’re more likely to engage more when the experience is without stress or confusion.

Consumer Participation in Ecommerce is Increasing

An increase in globalization has significantly influenced the ecommerce reach. According to Facebook, more than one billion users are connected to another business in another country. Two in three online shoppers have already shopped cross-border. To give you a statistical run-down on people per region around the world are connected to a business in another country:

  • In the US, over 60%
  • In Canada, over 60%
  • In the UK, over 75%
  • In Germany, over 75%
  • In India, over 40%
  • In Japan, over 30%
  • In Indonesia over 45%
  • In Brazil, over 60%
  • In Mexico, over 60%

If people are becoming more willing to make business abroad, it is important that you make your music and music events available internationally available on the web, this includes making your music available on Spotify or other streaming services. You can also include a ‘tip jar’ to your website by creating an account on www.paypal.me—there, people can make donations by sending payments to your PayPal account.

Millennials Are The Most Populous Generation in the U.S 

According to Facebook, it is estimated that by 2020, Millennials will make up half of the global workforce. The Brookings Institution, a non-profit public policy organization, has defined key Millennial values that will shape the future of the American economy—these include:

  • An interest in daily work that reflects and is a part of larger societal concerns.
  • An emphasis on corporate social responsibility, stronger brand loyalty, ethical causes, and ability to offer specific solutions to specific social problems.
  • Respect for the environment.
  • Ability to build communities based on shared interests rather than geographical proximity, which in turn bridges dissimilar groups.

It’s important to become acquainted with the demographics that will make up most of the future workforce. After all, you are ultimately trying to find financial sustainability through your work (work which doesn’t come close to those that have a promising check every other week).And since Millennials listen to 75% more music on a daily basis (ERA) compared to other generations, these insights can serve as a guide to help you better understand your target audience.

Are there any social, economic or environmental issues that you’re interested or passionate about? If not, try to think about your personal interests; there is always someone out there that can relate and you never know, something that makes you tick may do the same for 100 (or more) others.

As an independent musician, staying on track with digital trends can be laborious since most of the time you’re busy producing, searching for gigs and doing a hundred other things to keep the ball rolling. So I hope that this brief recap on Facebook’s digital report can help fine-tune business for you and keep you prepared for your current endeavors!

Do you know of any other social media/digital trends that may be of use for other musicians? How have you managed to stay active on social media platforms? Feel free to share with us below in the comments.

Top 5 Things To Know About Stagecraft & Performance

[Editors Note: This article was written by Tessie Barnett and originally appeared on the GigSalad Blog.]

In a world where making music, sharing music, and collaborating with other artists is becoming the norm, fans are expecting much more from a band than their musical talent. It’s one thing to form a solid, personalized setlist, but connecting with your fans is another feat entirely.

You need to stay ahead of the trends and keep your fanbase growing. In order to do that, you have to perfect your live shows. Here, we’ve gathered 5 important steps to help you practice, prepare, and improve your stagecraft and performance.

1. Know The Music Inside And Out

Rehearse. Rehearse. Rehearse. Before a live performance, your music should be practiced to the point that you no longer consciously think of individual notes or chords. Many artists like to practice with a “handicap” to stimulate other parts of the brain. If you’re a guitarist, try playing the set blindfolded. If you’re a drummer, wear wrist weights. Get your bandmates to really listen to each other without relying on visual cues by playing songs in the dark. If you feel like regular practices aren’t enough to accomplish your desired skill level, try using a training tool to record your band practice.

One thing you’ll want to make sure you and your band agree on is rehearsal etiquette. As Jeff Black from Vandala Magazine said, “Its not just HOW MUCH time you put in, but the QUALITY of time you contribute.” Show up on time, be ready to play, and leave distractions at home. Try to avoid getting sucked into a black hole of snack breaks, video game breaks, phone breaks, etc. Make sure to use your time wisely and get what you deserve out of it.​

​After playing becomes as natural as breathing in and out, you’ll want to practice exactly how you would perform. Arrange the band the way you’d play onstage—face a wall as if it’s the audience, put some mirrors up, and arrange speakers to face your “crowd.” Play the setlist you’ve created as if it’s your live show. Once you’re comfortable with this mock performance, bring in a few buddies to get their feedback. Good friends will likely be brutally honest, so keep their intentions in mind when they’re giving you criticism.

Rehearsals aren’t for playing perfectly. They’re for learning, experimenting, evolving, and preparing to share your music with your fans.

2. Relax Onstage

Don’t take yourself too seriously before hitting the stage. Focus more having a good time with your audience rather than trying to impress a crowd. Some artists use relaxation techniques like meditation, yoga stretches, and breathing exercises to curb their pre-show jitters.

We also recommend ​using a little humor to help relieve tension. According to the Mayo Clinic, laughter increases your intake of oxygen, releases endorphins in the brain, and aids in muscle relaxation. Not only does it have physical benefits, but humor also keeps you from taking things too seriously—a relief from toxically overanalyzing a situation. Listen to your favorite standup comedian, watch compilations of people falling, play tricks on your band members, whatever it takes to make you giggle. Laughter really is the best medicine!

3. Fake It ‘Till You Make It​

It can be easy to imagine the worst if you feel doubtful or stressed about an upcoming gig. DON’T. Push these thoughts aside and visualize a smooth and flawlessly executed performance. This is best done when relaxed—before you fall asleep or first thing in the morning. You’ll want to make this a daily visualization exercise starting at least one month before you’re expected to perform. Thinking of positive performance scenarios helps you get mentally prepared.

A person’s behavior, movement, and emotions are all directly correlated. When you feel confident and excited, your posture is better and you’re more alert. A good way to push yourself into this mindset is to pose with confident body language and allow the associated feelings to follow—or fake it ’till you make it. According to social psychologist, Amy Cuddy, “power posing” can actually affect testosterone and cortisol levels in the brain. Practice using this power-inducing body language during rehearsals, and before long, your self-assurance will be authentic and present in your performances.

4. Keep Your Focus On The Crowd

​Most successful artists realize that their music, especially in live performances, is not simply a way to showcase their talent. Yes, it’s a form of self-expression, but it’s also an offering to your audience, and if you seek a career in this industry, you have to connect with your fans.

Start your set with an attention grabber—an energetic and recognizable song. With an upbeat, celebrated cover, you can easily encourage your audience to dance, clap, shout, and sing. Continue that momentum throughout your set. When your fans walk away feeling awed and exhausted, your show will be imprinted in their memory.

5. Stay Creative

It takes an enormous amount of creativity and style to craft music that’s unique to you and your sound. Mastering the skill of songwriting helps you establish your place in an industry saturated with other artists. However, fans want to see your creative efforts beyond the song lyrics. The experience is what they’re after. Imagine yourself as an indifferent listener in the audience. What would grab your attention? Use your creativity to take your performance to the next level. It’s hard to forget a performer who envelopes their audience.

Clearly, with the advancement of sharing platforms, tools, and technology, fans are beginning to expect much more from the modern day musician. The artists who stand out are the ones who create an extraordinary experience for their audience. If you can practice your instrument until it feels like an extension of you and put your full, creative energy into every engagement opportunity, you’ll turn your fans into lifers.

Do You Need a Publicist Or Just Some Research?

[Editors Note: This blog was written by Rich Nardo. Rich is a freelance writer and editor, and is the Director of Public Relations and Creative at NGAGE.]

 

Building out your team as an artist is a very difficult process. Young musicians often believe having a manager, a publicist or a booking agent onboard will be the core to somehow expediting the process of launching their career. Today you’re playing to ten friends and family members at your local VFW or singing at open mics. Then, viola! Your team has scored you a spot on tour with your favorite band, selling out arenas.

As most of you are probably aware, that scenario doesn’t necessarily match up with the reality of building a career in music. There is no magic bullet. In fact, building out your team too early can lead to getting stuck in business relationships that don’t necessarily make the most sense in the long run or, as is the case with publicists, see you investing what little money you have to spend on your project in areas that you won’t necessarily see the sort of results you’re hoping for.

Here are three questions to ask yourself before deciding whether or not to pull the trigger on bringing a publicist into the fold:

Will I Be Able To Give A Publicist Enough To Work With?

An important key to publicity is having assets to work with. Yes, you have a great EP, but is there anything else that your publicist can give to press? Are there tour dates or live shows in your hometown? Do you have a unique element to your story that could lead to a bigger editorial piece that will serve as a cornerstone for the campaign? Did you shoot any high-quality music videos for the project?

A publicist is going to have to sell a writer on the fact they are getting in early on something that will be bigger down the line. Just having a handful of quality songs does not go a long way to help them sell that idea.

What Are My Goals With This Campaign?

Am I hiring a publicist because I think they’re going to take me from my bedroom to the cover of Rolling Stone? Do I think that I am going to see a significant financial return immediately from doing a few months of PR? If so, you’re probably going to be disappointed with the results you’re going to get.

One in a million projects can break immediately without a ton of work from major industry powers going on behind the scenes. The vast majority of artists need to build out their public presence in stages. Your initial public relations campaign should be about building that first tier of coverage. This would likely consist of grabbing a few of the aforementioned cornerstone pieces and streaming playlists that you can start building a 1-sheet around and getting writers out to see you play live.

From there you can start building anticipation for your next release or, if the campaign goes really well, you can continue to go after additional coverage on the release immediately.

What Is My Next Step?

A standard PR campaign will run around three months. Once that three month period is over, if the coverage isn’t rolling in enough to continue seeking press, what’s your next step?

Are you going to be right back in the studio working on the follow-up or is there going to be a long wait before you release music again?

If this release took a year or two to prepare and you don’t see a next release in the near future, you’re better off handling press yourself and focusing on building an organic following through playing live and direct-to-fan initiatives.

In short, ask yourself if this release is going to set up a bigger push in the next year or is it step one in your career as an artist from which you will decide where you will pivot to next.

It’s best for an artist not to rush to add structure to their project to quickly. It’s usually better to find yourself creatively before looking to start working towards a sustainable career. If you do find yourself in this stage of self-discovery, don’t rush to hire a publicist. You can find the contact information for most of the writers or blogs that will be most likely to cover your project in these early stages on their website or via the writer’s Twitter account.

The more you can do on your own before hiring people around you, the better you’ll understand the process of releasing music and ultimately the more worthwhile your eventual first proper PR campaign will be!