Paraphrases On Penetential Liturgical Texts
- New Age, Alternative
- Nicholas J Roberts
- 09/03/2009

Liner Notes: Nicholas Roberts, the founder of www.edumus.co.uk was born in 1970 in Manchester, the place where his organ playing skills were cultured in St George's Parish Church, Altrincham under the directorship of Alec Crowe. His first full time organist's post was in St Alban's Parish Church, Broadheath, where at the age of 14, he took over an adult choir and developed the music until he left to go to study music at the University of Wales. There he specialised in early music and composition before developing vocal technique and performance skills. Whilst at University, Nick played for church services at Eglyws Llanychaern, just outside Aberystwyth.
Nick came to the Isle of Man in 1991 when he was offered the post of teacher of music at Ballakermeen High School. He commenced his duties at St George's in 1992 since when he developed the musical content of the services particularly full choral evensong held regularly on Sunday evenings. Nick is now seeking to further his musical and pedagogical interests following his departure from St George's and is available for musical occasions or service playing on the Isle of Man. Nick has deputized at the Christian Scientists Church in Douglas and St Matthew's Church. He has also had the post of the organist of St German's Cathedral in the diocese of Sodor and Man.
Nick's interests other than organ music include areas such as special needs education, composition of music and music technology. Nick plays a number of instruments as well as being a regular vocal performer both on and off the island. Nick's other composition work includes the musical Candles, the tragic tale of the Snaefell mining disaster Nick also performs some of his original arrangements on his internet radio station Renaissance of Music.
Nick is the musical director of Early Music for Mann a music festival which aims to promote enjoyment and enthusiasm in the realms of music pre 1650.
Nick also sings Tenor with Ensemble Musicaficta based in Rimini, Italy under the direction of Andrea Angelini. He has also sung under the directorship of David Wulstan (Clerkes of Oxenford) and Peter Phillips (Musicaficta and Tallis Scholars)
Whilst at University he won prestigious awards for vocal performance. He also won the composition competition in the National Intercollegiate Eisteddfod in UCW for four consecutive years.
Whilst in the Isle of Man, Nick has won a number of classes in the Manx Music Festival in both vocal and instrumental performance.
Currently projects include the writing of a number of musicals for performance on the Island, a choreographed performance of some contemporary dance as well as a full length ballet score.
Paraphrases is a series of piano pieces inspired by verses of the Psalms of David.
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Out of the Depths
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Lord Hear My Voice
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If Thou Lord Should Mark My Iniquities...
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Forgiveness
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I Wait for the Lord
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Let Israel Hope In the Lord...
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And He Shall Redeem
Mirrors of Life and Death
- Alternative, Christian/Gospel
- Nicholas J Roberts
- 09/15/2009

Liner Notes: Piano Interpretations based around the poetry of Christina Rosetti.
The mystery of Life, the mystery
Of Death, I see
Darkly as in a glass;
Their shadows pass,
And talk with me.
As the flush of a Morning Sky,
As a Morning Sky colorless—
Each yields its measure of light
To a wet world or a dry;
Each fares through day to night
With equal pace,
And then each one
Is done.
As the Sun with glory and grace
In his face,
Benignantly hot,
Graciously radiant and keen,
Ready to rise and to run,—
Not without spot,
Not even the Sun.
As the Moon
On the wax, on the wane,
With night for her noon;
Vanishing soon,
To appear again.
As Roses that droop
Half warm, half chill, in the languid May,
And breathe out a scent
Sweet and faint;
Till the wind gives one swoop
To scatter their beauty away.
As Lilies a multitude,
One dipping, one rising, one sinking,
On rippling waters, clear blue
And pure for their drinking;
One new dead, and one opened anew,
And all good.
As a cankered pale Flower,
With death for a dower,
Each hour of its life half dead;
With death for a crown
Weighing down
Its head.
As an Eagle, half strength and half grace,
Most potent to face
Unwinking the splendor of light;
Harrying the East and the West,
Soaring aloft from our sight;
Yet one day or one night dropped to rest,
On the low common earth
Of his birth.
As a Dove,
Not alone,
In a world of her own
Full of fluttering soft noises
And tender sweet voices
Of love.
As a Mouse
Keeping house
In the fork of a tree,
With nuts in a crevice,
And an acorn or two;
What cares he
For blossoming boughs,
Or the song-singing bevies
Of birds in their glee,
Scarlet, or golden, or blue?
As a Mole grubbing underground;
When it comes to the light
It grubs its way back again,
Feeling no bias of fur
To hamper it in its stir,
Scant of pleasure and pain,
Sinking itself out of sight
Without sound.
As Waters that drop and drop,
Weariness without end,
That drop and never stop,
Wear that nothing can mend,
Till one day they drop—
Stop—
And there’s an end,
And matters mend.
As Trees, beneath whose skin
We mark not the sap begin
To swell and rise,
Till the whole bursts out in green:
We mark the falling leaves
When the wide world grieves
And sighs.
As a Forest on fire,
Where maddened creatures desire
Wet mud or wings
Beyond all those things
Which could assuage desire
On this side the flaming fire.
As Wind with a sob and sigh
To which there comes no reply
But a rustle and shiver
From rushes of the river;
As Wind with a desolate moan,
Moaning on alone.
As a Desert all sand,
Blank, neither water nor land
For solace, or dwelling, or culture,
Where the storms and the wild creatures howl;
Given over to lion and vulture,
To ostrich, and jackal, and owl:
Yet somewhere an oasis lies;
There waters arise
To nourish one seedling of balm,
Perhaps, or one palm.
As the Sea,
Murmuring, shifting, swaying;
One time sunnily playing,
One time wrecking and slaying;
In whichever mood it be,
Worst or best,
Never at rest.
As still Waters and deep,
As shallow Waters that brawl,
As rapid Waters that leap
To their fall.
As Music, as Color, as Shape,
Keys of rapture and pain
Turning in vain
In a lock which turns not again,
While breaths and moments escape.
As Spring, all bloom and desire;
As Summer, all gift and fire;
As Autumn, a dying glow;
As Winter, with nought to show:
Winter which lays its dead all out of sight,
All clothed in white,
All waiting for the long-awaited light.
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Relief
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The Mystical Truth of the Mind...
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Relentless Life
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Floating
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Rocking
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The Fall
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Sad Echoes
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The Resurrection