By Stefanie Flamm
As the days get longer and we gear up for summer, there’s some exciting news happening in the music publishing industry:
- A new deal could mean improved songwriter royalty distribution from DJ remixes and mashups.
- ASCAP stands by their songwriters, all the way to Capitol Hill.
- MediaNet works with SOCAN to provide faster and more reliable methods of royalty distribution.
It’s an exciting time to be a songwriter.
A new deal will allow publishers and songwriters to profit from DJ remixes.
In an exciting new partnership between The National Music Publishers’ Association (NMPA) and digital distributor Dubset Media Holdings, songwriters and publishers can now collect from DJ mixes and remixes of their original content. Through this agreement, NMPA members can opt-in to dictate the terms and conditions of using their music in DJ mixes, in addition to receiving derivative royalties for the use of their music.
Dubset’s MixBANK is the first fully cleared distribution platform for remix content, using pre-negotiated licenses to provide equal distribution rights for DJs, songwriters, and publishers alike. Through MixBANK, Dubset can search a remix or mashup for “derivative content,” determine the appropriate royalty owed to the copyright owner, and relay this information to streaming stores like Apple Music.
This is an enormous step forward in the name of songwriter advocacy, and will be a huge benefit to songwriters as more DJs distribute to streaming markets. It’s especially beneficial to independent artists because the deal is focused on collecting for individual songwriters and small, independent publishers. Billboard writes, “Making participation in this new sub-economy available to individual songwriters and smaller publishers is a noteworthy advance, especially within the digital music economy, which so often seems to reward the largest of players.”
One more step in the right direction towards fair royalties for songwriters.
Songwriters urge Congress to reform music licensing at ASCAP’s “Stand with Songwriters” Advocacy Day in Washington, D.C.
May 18th was a big day for US songwriters, as they met with elected officials on Capitol Hill for ASCAP’s “Stand with Songwriters” Advocacy Day.
Some of the country’s top songwriters, including Desmond Child (co-writer of Bon Jovi’s “Livin’ on a Prayer”) and MoZella (co-writer of Miley Cyrus’ “Wrecking Ball”), spent the day lobbying for updates on licensing laws and regulations. With WWII-era licensing regulations still in place, both ASCAP and their songwriters are striving for a major update that will incorporate the ever-growing streaming population.
“The music business is among the toughest and most competitive industries, and our songwriters and composers should not have to accept below-market rates for their work,” said Utah Senator Orrin Hatch.
Two days before ASCAP’s Capitol Hill takeover, they released a video highlighting the advancements that the world has made since these songwriter regulations were enacted in 1941. While calling to attention that these laws were imposed before Hawaii and Alaska were part of the United States, the featured songwriters note that streaming companies exploit the outdated laws and urge for a total overhaul of the archaic music licensing legislation.
75 years seems like long enough to wait for licensing reform, but it looks like changes are on the horizon.
MediaNet teams up with SOCAN to improve royalty distribution for songwriters.
Canadian-based collection society SOCAN recently acquired MediaNet, a music tech provider boasting a catalogue of more than 51 million tracks. In a May 12th press release, MediaNet announced, “[we] will provide SOCAN with authoritative information pertaining to master rights (sound recordings), and will augment already strong matching capabilities for all kinds of performances and reproductions of music on radio, digital, live, satellite, film and TV and other delivery of music to public audiences.”
This acquisition now brings SOCAN to the forefront of collection societies for digital matching. It means enhanced royalty reporting for SOCAN’s four-million members, as well as increased profits from services like YouTube, SoundScan, and Facebook. It is also expected to increase the rate of digital match-rates, which should result in faster royalty payment speeds.
Faster, more accurate royalty reporting means less stress and more time for songwriting!
With all of this great songwriter advocacy coming to fruition, now’s the perfect time to be a part of our Music Publishing Administration.
- Sending Your Music To Yourself Isn’t Enough To Protect Your Copyright
- ASCAP Scraps Exclusivity Clause, Focuses On Increasing Transparency With Licensing
- Copyright Gets Sticky When A Son Performs His Father’s Music
- Taylor Swift and Adele Rake in Millions From Publishing
- Copyright Reform Finally On Its Way to Congress