How to Make Your Mixes Sound Great in Every System (Part 2)

[Editor’s Note: This article is the second in a two-part series written by Gary Gray. You can read part one here.] What Is an Industry Standard Recording? After thousands of hours of research, I have formulated the following workable definition for an Industry Standard Recording: Any recording which has been purchased or consumed by a large […]

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Producer Spotlight: Dom Morley on the #MusicMadeMe Podcast

We’re back with a socially distant episode of the #MusicMadeMe Podcast, and this week we’re spotlighting GRAMMY Award-winning producer, mixer and engineer Dom Morley. Dom has experience working with Mark Ronson, Amy Winehouse, Adele and tons of other musical heavyweights. In this conversation, TuneCore’s UK Country Manager Nathan Phillips chats with Dom about his engineering […]

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Introducing TuneCore’s U.S. Studio Directory

TuneCore noticed that most aggregators or directories for recording studio needs were outdated, unhelpful, and underwhelming, we began partnering with studios across the U.S. to help provide a solution.

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DIY vs. Paying For Services: How & When To Decide If It’s Worth It

As an independent musician, it can be tough allocating budget for helpful services, especially when you’re in a DIY state of mind.

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Tworzenie ścieżek dźwiękowych na licencje – jak zwiększyć swoje szanse na sukces [część 2]

W drugiej odsłonie kolejnej dwuczęściowej serii guru domowego studia Gary Gray udziela kilku wskazówek na temat produkcji z myślą o licencji!

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Jak zdefiniować mastering w domowym studio [część 2]

W części drugiej serii guru studia domowego Gary'ego Graya o masteringu dowiesz się o znaczeniu LUFS, normalizacji i streamingu w dzisiejszym świecie produkcji.

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Nowoczesna definicja masteringu dla domowego producenta studyjnego [część 1]

W pierwszej części dwuczęściowej serii guru studia Gary Grey przybliży proces masteringu dla początkującego inżyniera domowego studia. 

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Should You Master for Different Digital Platforms?

[Editor’s Note: This article was written by our friends at Sweetwater.] Your mix is slammin’, your band is smilin’, and you’re putting the final sheen on your final FINALmaster before you hand it off to TuneCore for distribution. There’s only one problem: the target loudness you used is YouTube’s, not Tidal’s, and your song may […]

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Mastering Isn’t a Dark Art, It’s Just Misunderstood

[Editor’s Note: This article was written by Steve Corrao, owner and chief engineer at Sage Audio in Nashville, TN.] Here at Sage Audio Mastering, we realize that for years, mastering has been viewed as ‘mysterious’. It has been described as a “Dark Art”, and some think of it as the “Wizard” behind the curtain. Most people […]

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